So here we go again, let's see if we can recapture the magic here...
People are starting to post about their experiences at Genghis Con. My good friend and editor-in-chief at Sirens, Rick Danford, posted this over at the House of Horrors.
Our wonderful friends JimmyO and April Burril, without whom little of Genghis would have been possible, posted these pics over at the Chainsaw Sally site (movie coming soon to a rental house near you! Stay tuned). Our equally good friend Ryli Morgan and Mark Baranowski posted these over at Ryli's homepage. So it would appear that everyone (save three disgruntled individuals) had a great time. For me, it was a five-day blur of stress with brief pockets of overwhelming gratitude.
Looking back, it was simply wonderful to see an entire room filled with virtually every friend I have, both in the industry and outside of it. Our families were mingling with people we new first from movies and then in person. There were folks I'd known for close to twenty years (Justin Wingenfeld and Bill Hahner, I'm looking at you!) and people I'd only gotten to know and care about over the course of this year (Ken and Pam Kish, Tony and Abby at Xploited DVD, Jeff and Pam Fugate...). Again, with the few minor exceptions, I can't think of a single person who was indispensible and responsible for making Genghis Con the success it was. At some point, I will most likely post a huge, long, sloppy "thank you" list, doubtlessly forgetting many people in the process. So please accept this blanket "thank you" in the meantime. (And very special thanks to Heidi and Bill Homan... you know why and thank you again!)
The past few weeks, far from being relaxing, have been taken up by Cam Romero's debut, The Screening. While Amy hasn't shot much yet--they're concentrating on getting a lot of the complicated action sequences out of the way first (which isn't a bad idea)--some amazing stuff has already been shot with Debbie and Alan Rowe Kelly. And I can say, without reservation, that the effects team are some of the most professional, talented individuals I've ever met. Benzy, Nate, Kevin, Midian, Dustin, Max and Liz, (and anyone I missed)--here's to you guys! I look forward to exploiting you in the future!
Between all of that, I'm spending the bulk of my time finishing up the first Hollywood is Burning screenplay contest so I can announce the winner by December 15 and make way for the second one. Because, you know, I'm insane.
And once that's done, I can turn my attention to a new screenplay, Shudder, based on an original story by Matt (Vicious, Loaded Dice) Green. I've never adapted someone else's story before (not to any great extent, anyway) and I'm actually having a good time with it. If all goes well, this looks to be our next production, possibly to start in January.
After a tremendous amount of problems, Sirens of Cinema #2 is out the door and at the printers. Look for it on the stands later this month. We may have possibly outdone issue #1 with this one! It sports a beautiful Kong cover by the amazing Michael Apice, and contains stuff like "The Women of Serenity", a fantastic piece on Mirrormask by Heidi Martinuzzi, a brand new Pretty-Scary article by Amy, a Rapturious set report by Debbie Rochon, and an overview of the Kong ladies by my father and film scholar Bill Watt (with a beautiful painting by Liza Biggers accompanying it).
Dead Men Walking hit the shelves a few weeks back and has been garnering mostly-positive reviews. People seem to dig the gore but think the acting is pretty weak. The reviewers have been kind enough towards the script end, which makes me grateful for that; it keeps the villagers away from the door. I'm told it's selling and renting pretty well, actually, so that's a good thing. What the hell--it is incredibly gory!
So with Genghis out of the way, and Thanksgiving already having come and gone like a jackhammer, we only have Christmas to look forward to. It's going to be a lean Christmas, too. NyQuil and Tic-Tacs for all. And then, a week later, it's over. 2005 buried in a shallow grave, two bullets in the back of its skull (which is how I like to usher in the New Year--intimidated and quaking in it's booties). It was a ball-kick of a year, to say the least, though infinitely better than its Marquis de Sade-emulating predecessor, 2004.
If the groundwork we laid this year comes to fruition, there should be plenty to look forward to in 2006. New productions (including a follow-up to Amy's sexy documentary, The Spicy Sisters Slumber Party), new website overhauls, the possible official release of The Resurrection Game (keep your fingers crossed!), and, perhaps, should the madness overtake us yet again, Genghis Con, PA 2006. Because, you know, we're insane.
Amy's all tilty (photos by Mike Haushaulter)
Sign by Tom Sullivan
Jim Steinhoff with our official banner (by Roger Beckett, designed by JimmyO)
The "Women in Horror Panel" - standing: April Burril, Debbie Rochon, Amy Lynn Best, Heidi Martinuzzi, Gigi Fast Elk Bannister; seated: Debbie D, Lilli Burril, Dan Best (he just wanted to be in the picture), Brinke Stevens, Ryli Morgan. Not pictured, Syn DeVil. Large white face in foreground: The Pretty-Scary Film Festival Award-Winner Devi Snively.
The Happy Cloud Pictures panel - Charlie Fleming, Amy Lynn Best, Necro-Phil, Bill Homan, Mike Watt, Bill Watt.
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